Six years after the original Prayer Request became a staple for believers and dreamers, Victor AD returns with a powerful sequel, Prayer Request II. This time, the Nigerian voice of the street expands the spiritual dialogue by bringing in Jamaican dancehall sensation Jahmiel alongside the original collaborator, Patoranking. The result is a cross-continental tune that fuses Afrobeats and Reggae-fusion into a singular, uplifting message of resilience and divine intervention.

The chemistry between the three artists is palpable. Victor AD provides the soulful, grounded foundation that fans of Wetin We Gain will instantly recognize, while Patoranking delivers his signature gritty yet polished verses. The addition of Jahmiel adds a fresh dimension to the track; his Jamaican roots bring an authentic dancehall patois flavour that elevates the song’s appeal. Together, they create a track that feels like a collective petition to the heavens, grounded in the struggles of the everyday man.

Produced once again by the talented Osho Beatz, the instrumental maintains the reverent yet groovy atmosphere of the first iteration. It utilizes bright horns and a steady, marching percussion that mirrors the unwavering faith described in the lyrics. The song moves beyond mere hustle culture to address deeper themes of gratitude and the necessity of spiritual backing in a chaotic world, making it a timely release for the current climate.

Prayer Request II is a quality remix. It is a reinforcement of a message that has defined Victor AD’s career. By bridging the gap between Warri, Lagos and Kingston, the track proves that the language of hope is universal. It is destined to be a favourite in both church halls and club lounges, serving as a reminder that, regardless of the genre, music remains one of the most potent forms of prayer.

Listen to Prayer Request II here.

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Afrobeats sensation Mavo continues his upward trajectory with the release of Mofe. The song further solidifies his reputation as one of the hottest artists in the country at the moment. Following the success of his previous projects, Mofe, which translates from Yoruba as "I want" is an exploration of desire for a woman.

The track showcases Mavo’s unique ability to blend street-pop energy with a smooth, melodic delivery. His style, heavily influenced by his early days making beats with tables and spoons in secondary school, shines through in the rhythmic complexity of the production. Mofe captures a specific Nigerian sentiment of aspiration, wrapped in a sound that is both contemporary and rooted in the South Gidi vibrations he has championed recently.

Lyrically, Mavo strikes a balance between playfulness and grit. He speaks to the desires of a youth generation, wealth, love, and recognition, without losing the infectious charm that has earned him a growing cult following. The song’s production is crisp, featuring the kind of heavy basslines and airy synths that have become a hallmark of modern Afrobeats, yet Mavo’s distinct vocal character prevents it from sounding like anything else on the airwaves.

As Mofe begins to gain traction on digital platforms, it serves as a testament to Mavo’s consistency. He isn't just releasing music, he is building a world where his personal true life stories meet the dancefloor. For an artist who cites both Playboi Carti and Wizkid as influences, this single represents a perfect middle ground, edgy enough for the underground, but polished enough for mainstream dominance.

Listen to Mofe here.

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Following her previous single with Rema, Who's Dat Girl, Ayra Starr returns with Where Do We Go, and it feels like a deep exhale. Released as she navigates her status as a definitive global sensation, the track maintains the high-octane energy of her previous hits.

The song’s origins are surprisingly grounded. Ayra Starr has shared that it began as a personal favourite that she and her friends would play while getting ready for nights out. However, the finished product, produced by longtime collaborator ILYA, is far more than a get-ready tune. It serves as a philosophical inquiry into her romantic life. The lyrics pose the question, Where do we go from here?, directed to her love interest.

Ultimately, Where Do We Go acts as a bridge to a fresh era for Ayra Starr. It retains the rhythmic essence that made her a household name but layers it with a newfound sobriety. It is a record that demands active listening, a soulful marker that proves even at the pinnacle of fame, the quest for direction remains a powerful and relatable human experience.

Listen to Where Do We Go here.

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Mavin Records rapper LADIPOE has dropped his latest single, Folasade, and it’s fire. Known for his razor-sharp lyricism and genre-blending prowess, LADIPOE delivers a poetic ode and a vibey tune, cementing his status as Nigeria’s “Leader of the Revival.”

Folasade is a seamless fusion of LADIPOE’s signature introspective rap and mellow Afrobeats melodies, showcasing his ability to craft emotionally resonant stories. The song, presumably named after a muse, dives into themes of love, longing, and vulnerability, with Poe’s witty “Lifelines” weaving heartfelt bars into a smooth, head-nodding groove. The accompanying lyric video, shared by LADIPOE himself, caters to his “chop mouth crew,” ensuring every bar lands with impact.

Following his 2024 releases like Compose with taves and Hallelujah with Rozzz and Morello, Folasade marks another chapter in LADIPOE’s versatile evolution. His earlier hits, like 2021’s Feeling with BNXN, which racked up over 80 million streams, set a high bar, but Folasade holds its own with its intimate storytelling and polished production. As the first rapper signed to Mavin Records in 2017, LADIPOE continues to redefine Nigerian hip-hop, blending it with Afropop appeal.

Stream Folasade now on all platforms and catch LADIPOE’s lyrical magic in full bloom. Listen here.

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Nigerian sensation Zerrydl has dropped his latest single, Mi Amigo. Following the success of his chart-topping hit Back to Back, the new song sees Zerrydl’s knack for creating infectious, high-energy bangers that usually take the country by storm.

Mi Amigo is a smooth Afro-pop tune, infused with Zerrydl’s signature charisma and melodic flow. The song explores themes of loyalty, camaraderie, and living large, with lyrics that celebrate riding for your crew while exuding confidence. Produced with crisp beats and a catchy hook, it’s the kind of track that feels tailor-made for club playlists and late-night cruises. Zerrydl’s delivery is effortless, balancing heartfelt vibes with a playful swagger that’s become his trademark.

Fans on social media are buzzing about the single, with some calling it a “club banger” that stays true to Zerrydl’s Afrobeat roots, though a few noted they were hoping for deeper lyrical content. The track marks Zerrydl’s first release of 2025, building on the momentum from his 2023 debut EP Danger Zee and his 2024 sophomore EP Wara Wara Szn, which featured artists like Seyi Vibez.

As the younger brother of Afrobeats star Shallipopi, Zerrydl continues to carve his own lane under Plutomania Records, showcasing his versatility as a rapper and singer. Mi Amigo is a testament to his growing influence, offering a feel-good anthem that’s poised to dominate airwaves. Out now on all platforms, catch the vibe.

Listen to Mi Amigo here.

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Nigerian Afrobeats star Mayorkun has dropped his third studio album, Still The Mayor, a 12-track juggernaut that reaffirms his place at the forefront of the genre. Known as the Mayor of Lagos since his 2016 breakout hit Eleko, Mayorkun has spent nearly a decade making songs that dominate airwaves. His latest offering is a polished, ambitious project that balances his signature charm with a bolder, more reflective edge, proving he’s not just resting on his laurels but pushing the Afrobeats sound forward.

Still The Mayor album arrives four years after his sophomore effort, Back In Office (2021), and follows the 2023 EP Love.. For Free. The album, delayed from its original May 2 release date, sees Mayorkun’s meticulous approach, as he fine-tuned a project that feels personal and universal. With eight high-profile collaborations—featuring Davido, Fireboy DML (on two tracks), Rotimi, King Promise, Olivetheboy, Dremo, The Flowolf, and Michii—the album is a who’s-who of African music royalty, each guest adding texture to Mayorkun’s vibrant sonic tapestry.

From the jump, Still The Mayor flexes its versatility. Lead single Innocent, featuring Fireboy DML, is a melodic banger that pairs Mayorkun’s smooth delivery with Fireboy’s emotive croon, setting a reflective tone about growth and redemption. Reason 2 Japa, the second single, tackles Nigeria’s emigration wave with sharp lyricism over an Amapiano-infused beat, capturing the hustle and heartache of a generation on the move. Tracks like Blessings on Blessings with Davido and Diamonds with Fireboy DML lean into Mayorkun’s knack for crafting radio-ready hooks, while Konko Below channels street energy with its pulsating rhythm. Hold Body, featuring King Promise, slows things down with a sultry, R&B-tinged groove that’s primed for late-night playlists.

Production-wise, Still The Mayor is a masterclass in Afrobeats’ evolution, blending traditional elements with Afropop, R&B, and subtle rap influences. Producers like Speroach Beatz and Clemzy, frequent collaborators, deliver crisp, layered sounds that elevate Mayorkun’s vocals. The album’s diversity—evident in the Amapiano flourishes and electronic textures—recalls the genre-blending confidence of his 2020 hit Geng, where he first flexed his ability to bridge street-pop and mainstream appeal. Here, he doubles down, with tracks like Industry Girl (Interlude) featuring The Flowolf, Dremo, and Michii showcasing his knack for curating posse cuts that don’t feel overstuffed.

Lyrically, Mayorkun is at his most self-assured. He’s always been a relatable everyman, but Still The Mayor reveals a more introspective side. On Reason 2 Japa, he grapples with the realities of Nigeria’s socio-economic challenges, singing, “I’m chasing dreams, but the system’s a cage.” Yet, he never lingers too long in the heavy; his playful charisma shines through on tracks like Diamonds, where he boasts, “My shine too bright, e dey blind them.” This duality—pairing real talk with infectious optimism, is what makes Mayorkun magnetic.

The album isn’t without flaws. The opening track, a high-energy banger, might overwhelm listeners expecting a smoother entry, as some fans on social media have noted. And while the star-studded features add firepower, a few moments, like the crowded Industry Girl, feel like they’re chasing viral moments over cohesion. Still, these are minor quibbles in an otherwise airtight project.

Mayorkun’s journey from a banker posting cover videos to an Afrobeats star is nothing short of amazing, and Still The Mayor feels like a coronation. His 2018 debut, The Mayor of Lagos, established him as a hitmaker; Back In Office proved he could sustain it. This third chapter shows an artist in full command, balancing commercial heft with artistic growth. The album’s rollout, complete with a glitzy Accra listening party and an African tour, underscores his global ambitions.

Still The Mayor album isn’t just a victory lap, it’s a declaration that Mayorkun’s reign is far from over.

Listen to Still The Mayor album here.

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Nigerian star CKay has dropped his much-awaited sophomore EP, CKay The Second. Released through a strategic partnership with global record company AWAL, this six-track project marks a pivotal moment in CKay’s career, further cementing his position as a trailblazer in the global Afrobeats scene. Following the meteoric rise of his debut projects and the international phenomenon of his hit single, Love Nwantiti, which has amassed over 3 billion streams worldwide, CKay returns with an introspective and audacious body of work, pushing the boundaries of African music while staying true to his roots.

CKay The Second sees his artistic evolution, blending his usual Emo-Afrobeats sound—a fusion of heartfelt lyricism and vibrant African rhythms, with elements of R&B, alternative pop, and soulful melodies. The EP explores universal themes such as love, self-discovery, identity, and personal growth, delivered through CKay’s emotive vocals and carefully crafted production. Each track feels like a chapter in a larger narrative, reflecting CKay’s journey as an artist navigating fame, creative freedom, and cultural representation on a global stage.

The EP features an impressive lineup of collaborations, including American R&B singer Sabrina Claudio, whose sultry vocals complement CKay’s emotive delivery, and Nigerian street-pop sensation Bella Shmurda, who brings raw energy to the project. These partnerships add layers of depth and diversity, exhibiting CKay’s ability to seamlessly bridge genres and cultures. Other tracks highlight his knack for crafting amazing hooks and atmospheric beats, with production that feels intimate and expansive, a hallmark of his unique sound.

In a statement about the EP, CKay emphasized his commitment to innovation, saying, “If I made music like those before me, what would be the point? I want to create something new, something that feels like me but also pushes the culture forward.” This ethos is evident throughout CKay The Second, which he describes as “twice as nice” as his previous work, a nod to its refined production and bold creative risks. The EP is a celebration of artistic freedom, made possible by CKay’s partnership with AWAL, which allowed him to retain full creative control while accessing global distribution and marketing resources.

Tracks on the EP range from soulful ballads to upbeat tune, each showcasing CKay’s versatility as a singer-songwriter and record producer. Standout songs explore the complexities of love and vulnerability, while others celebrate resilience and self-assurance, resonating with listeners across continents.

Listen to CKay The Second here.

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South African hip-hop heavyweight Nasty C has released his highly anticipated single, Psychic, marking his first official solo drop of the year. The track signifies Nasty C’s return to the spotlight after going independent. The rapper, who also produced the song under his alias Czzle, has been teasing Psychic for weeks, building suspense with cryptic social media snippets and bold artwork, as noted in announcements from SA Hip Hop Mag and Zkhiphani on May 6.

Psychic is a hard-hitting, introspective track that showcases Nasty C’s lyrical agility and genre-blending prowess, a signature of his work since his 2015 breakout mixtape Price City. The song features vivid storytelling, with Nasty C flexing his experiences while navigating interactions with haters, fans, and his inner circle. A snippet shared earlier this week included the line “Hater on my dick, The whole thing not just the Tip,” hinting at the raw, confrontational energy fans can expect. Produced by Nasty C himself, the beat is described as “hard-sounding” by Zkhiphani, with a dynamic flow that highlights his evolution as an artist since his 2023 album I Love It Here, which solidified his global influence with over 120 million streams for Strings And Bling alone.

The release comes at a pivotal moment for Nasty C, who has been operating on a “higher plane” in 2025, balancing fatherhood, fitness, and frequent visual content. The move to independence aligns with his earlier statements on his website, where he emphasized maintaining creative control: “I am still me and no matter what deals I sign; I am not letting anyone dictate my sound or image.” Psychic reflects this ethos, offering a bold, unfiltered look at his journey while reinforcing his status as “The Coolest Kid in Africa.”

With a history of accolades—including being the youngest recipient of the Best Freshman Award at the 2015 South African Hip Hop Awards at age 18—and collaborations with global stars like A$AP Ferg and Davido, Nasty C’s latest single is poised to make waves. Fans expect Psychic to continue his streak of impactful releases, following his 2022 Ivyson Army Tour Mixtape and his role as the first African brand ambassador for Activision’s Call of Duty. As Nasty C embraces his roots and global audience, Psychic delivers a sound that’s both deeply personal and universally resonant, setting the stage for what’s next in his independent chapter.

Listen to Psychic here.

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Nigerian highlife duo The Cavemen, comprised of siblings Kingsley Okorie and Benjamin James, have released their latest single Dancing Shoes, marking their first offering of the year. Known for blending traditional highlife with contemporary soul, the duo, natives of Orlu, Imo State, dropped the track last night, building anticipation from teasers shared on social media earlier this week. Following their acclaimed 2020 debut album Roots, which won Best Alternative Album at The Headies, and their 2024 album Love and Highlife, Dancing Shoes serves as a vibrant lead-in to their upcoming third studio album, Cavy in the City, expected later in 2025.

Dancing Shoes is a rhythmic celebration of movement, love, and connection, rooted in the duo’s signature sound that fuses smooth guitar licks, earthy percussion, and soulful vocals. The track’s lyrics are light yet evocative, encouraging listeners to hit the dancefloor and embrace the joy of life, with lines that evoke nostalgia while feeling fresh and innovative. The song’s upbeat tempo and organic production make it an instant mood-lifter, ideal for live performances and communal celebrations, reflecting their reputation as modern custodians of the genre.

The release follows a strategic rollout, with the duo hinting at the track’s arrival through social media posts, urging fans to “get ready” for a midnight drop. Their live performance prowess, honed since forming in 2018, shines through, promising to bring Dancing Shoes to life on their upcoming Cavy in the City tour, which includes stops in Montreal on May 2 and Toronto on May 4. With a history of self-produced music and a philosophy rooted in love and heritage, avoiding the materialism often found in modern Afrobeats, Dancing Shoes reinforces The Cavemen’s unique place in Nigeria’s music scene, offering a sound that’s both a tribute to the past and a danceable step into the future.

Listen to Dancing Shoes here.

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Nigerian singer-songwriter Mr Eazi has released his first solo single of 2025, Love Me Now. Mr Eazi continues to push boundaries following his 2023 debut album, The Evil Genius, and recent ventures like the 2024 single Panadol. The release comes after a series of collaborative efforts, including his work with ChopLife SoundSystem, and aligns with his ongoing mission to mentor emerging African artists through emPawa Africa, an initiative praised by outlets like CNN and Forbes.

Love Me Now is a heartfelt Afrobeats track that delves into the complexities of love, vulnerability, and past mistakes, showcasing a more introspective side of Mr Eazi. The song, produced by P. Priime, features his signature laid-back delivery, with lush synths and rhythmic percussion creating a soulful backdrop. Mr Eazi’s use of Ghanaian Pidgin and Nigerian melodies, a hallmark of his Banku style, adds authenticity, making the song a stirring reflection of his journey.

While Love Me Now marks a return to solo work, it also hints at more to come, as Mr Eazi reportedly plans additional singles and an EP before year-end. With his global reach—evident from past collaborations with Beyoncé, J Balvin, and Bad Bunny—this track reinforces Mr Eazi’s ability to blend emotional storytelling with Afrobeats' infectious energy, offering a sound that resonates deeply with listeners.

Listen to Love Me Now here.

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Nigerian rapper, actor, and activist Folarin Falana, popularly known as Falz, has dropped his latest single Round of Applause via Bahd Guys Records. The release follows his 2024 collaboration with Simi on Borrow Me Your Baby, and comes amidst his recent candid revelations about art, activism, and personal life at the #WithChude Live event in Lagos on April 30, 2025. Known for his socially conscious tracks like Yakubu (2023) with Vector and his role in the #EndSARS movement, Falz takes a lighter yet reflective tone with this new offering, showcasing his versatility as an artist who can balance entertainment with depth.

Round of Applause is a vibrant track that blends Yoruba, Pidgin, and English, creating a captivating sound that oscillates between celebrating the good life and acknowledging grounded realities. The song, produced by Tuzi, features Falz’s clever wordplay and vivid imagery, with lyrics that paint a picture of life’s joys, like luxury and success, while staying rooted in the everyday struggles of Nigerians.

Thematically, Round of Applause reflects Falz’s ability to draw inspiration from his environment, a trait he emphasized during his #WithChude Live appearance, where he noted, “I’m the kind of artist who draws inspiration from my environment. I can’t help it.” While the song leans into a celebratory vibe, it subtly nods to his activist roots, balancing personal triumphs with a broader commentary on resilience. This duality aligns with Falz’s career trajectory—from his breakout Marry Me in 2014 to his politically charged Moral Instruction in 2019—where he’s consistently used music as a lens for both joy and justice.

Falz, a trained lawyer and son of human rights activist Femi Falana, has always been more than just a musician. His recent reflections on the emotional toll of the #EndSARS protests and the challenges of maintaining a healthy love life in the entertainment industry add a layer of authenticity to Round of Applause. The track feels like a moment of release for the artist, who has spent much of his career carrying Nigeria “on his head,” as he put it. With his forthcoming project on the way, Falz’s latest single is poised to add to his impressive catalog, offering a subtle nod to the realities that shape his artistry.

Listen to Round of Applause here.

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South African pop sensation Tyla has released her much-anticipated single Bliss, marking her first solo drop since the deluxe edition of her self-titled debut album in October 2024. The track, produced by NOVA WAV and Sir Nolan, serves as the lead single for her upcoming sophomore album, which Tyla hinted will showcase a fresh sound while retaining her core identity. Following her global breakout with Water in 2023 and recent features like the Show Me Love remix with WizTheMc, which hit No. 11 on Billboard Global Excl. US, Bliss arrives amid high expectations, fueled by Tyla’s Coachella 2025 preview and her stunning Met Gala appearance on May 5.

Bliss is a smouldering Afro-pop ballad that intertwines R&B’s emotional depth with amapiano’s euphoric undertones, exploring the transcendent power of love. Tyla’s lyrics, like “I don’t wanna be in the world without you / Baby, I don’t wanna let out my sight,” reflect an all-encompassing desire to stay connected, while the chorus—“You take me to bliss / Never felt a love like this / Never found it, never found it”—captures the euphoric escape love offers. Her vocals glide over a rich, melodic soundscape, with lines such as “Let my smile bring you peace of mind / Burnin’ desire when you throw your arms all around me” evoking a spiritual and physical closeness. The track’s ethereal vibe is amplified by its visual rollout, featuring Tyla with angelic wings, a motif that first appeared in her April 29 teaser and aligns with the song’s theme of transcendence.

The single’s release follows a strategic buildup, starting with a Coachella performance on April 18, where Tyla debuted the track to an electrified crowd, and a pre-save campaign that sent fans into a frenzy. Social media buzz has been intense, with listeners calling it a “summer vibe” and praising its “poppy” energy, suggesting Tyla’s evolution into a more diverse soundscape. The song’s title also ties into her Erewhon smoothie, Bliss by Tyla, with proceeds supporting 18twenty8, a South African non-profit empowering young women—a nod to her commitment to social impact. With Bliss, Tyla continues to blend her Johannesburg roots with global appeal, delivering a track that feels deeply personal and universally resonant, setting the stage for her next chapter.

Listen to Bliss here.

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Nigerian Afro-fusion star BNXN, formerly Buju, has released his brand new single Cutesy, via EMPIRE, marking his first solo release of the year. Following his 2024 hits like Phenomena and the Rema-assisted Fi Kan We Kan, BNXN continues to solidify his status as one of Nigeria’s most compelling voices with the new track, produced by Jiggy. The single, part of his forthcoming project, arrives after a successful run with his debut album Sincerely, Benson (2023) and the collaborative EP RnB with Ruger.

Cutesy is a melodic love anthem that radiates warmth and affection, blending BNXN’s signature soulful vocals with soft percussion and warm harmonies. The track captures the playful thrill of romance with lyrics like “Cutesy (cutesy), Fun size (fun size), The shit I’ll do for your love, It’s like a movie (movie), Oh my (oh my),” painting a picture of a love so enchanting it feels cinematic. BNXN’s emotional delivery shines as he sings, “I’m sitting here, I’m fucked up, You don’t know me (know me),” revealing vulnerability beneath the song’s sweet exterior. The fusion of Afrobeats rhythms with R&B sensibilities creates a feel-good vibe perfect for cozy, intimate moments.

BNXN, born Daniel Benson in Lagos, has been a force in Afrobeats since his 2019 breakout Spiritual with Zlatan, later collaborating with global stars like Wizkid, Burna Boy, and Dave. His ability to weave raw emotion with infectious grooves, as seen in past hits like Finesse and GWAGWALADA, is on full display here. Cutesy adds to his impressive catalog and sets the stage for his next project, hinting at more explorations of love and connection. With over 2.1 billion career streams, BNXN’s latest release is poised to captivate fans, offering a charming mood that’s hard to resist.

Listen to Cutesy here.

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