We bet you have heard the news that Asake, also known as Mr Money, is planning to drop his fourth studio album, M$NEY, on 1st May 2026 — and we know you are so eager for the day to arrive that the wait is already feeling like the longest week of your life. We get it. We are right there with you.

The good news is that while the calendar moves at its own pace, Asake’s back catalogue has more than enough to keep us dancing until that day comes. The man has given us enough material to keep the countdown going with a proper groove, and that is exactly what we plan to do.

M$NEY follows the successes of Lungu Boy, Work of Art, and Mr Money With The Vibe — three albums that between them broke streaming records, sold out arenas, and firmly established Asake as one of the most consistent artists Africa has ever produced. The man has not released a bad project yet, and anticipation for this one is at an all-time high.

While we wait, and we are absolutely counting down the days, here are five Asake songs to keep on rotation until 1st May arrives.

Sungba (Remix) ft. Burna Boy (2022)

If there is one song that announced to the world that Asake was not playing games, it is this one. Originally appearing on his debut EP “Ololade Asake,” the remix featuring Burna Boy reached number seven on the US Afrobeats Songs chart. Produced by his long-time creative partner Magicsticks, the song combined hypnotic log drums drawn from amapiano, Asake’s fuji-drenched hip-hop flow, and chanted backing vocals that burrowed into your brain and refused to leave. Within a month of the original dropping, Burna Boy had hopped on a remix, and the rest is history. Play this one and watch a room come alive instantly.

Peace Be Unto You (2022)

From his record-breaking debut album “Mr Money With The Vibe,” “Peace Be Unto You,” known widely as PBUY, is the song that showed the full range of what Asake could do with a melody. The track layered Islamic-inspired chants over high-octane production, making it one of the most distinctive songs of his breakout era. It proved that Asake was not a one-trick performer, that he could take sounds from deeply personal and cultural places and turn them into something that connected with millions of people across the world. It sounds just as good today as it did the first time you heard it.

Lonely at the Top 

From his second studio album “Work of Art,” “Lonely at the Top” became his most-streamed song, peaking at number four on the UK Afrobeats Singles Chart and spending 13 weeks on the chart. Where many of his songs are built for movement and celebration, this one sits with you differently. It is introspective and aching, a meditation on the cost of ambition and the isolation that can come with success, themes that clearly resonated with a great many people. Crowds at his concerts have sung along to it with their hands in the air, which tells you everything about how deeply it landed.

Basquiat (2023)

Also from “Work of Art,” “Basquiat” is one of those Asake songs that rewards close listening. Named after the legendary American artist Jean–Michel Basquiat, the track is a confident, swaggering declaration of artistic self-belief — Asake drawing a line between himself and one of the most celebrated creative minds of the 20th century, and doing so without a hint of apology. It peaked at number five on the UK Afrobeats Singles Chart and spent 13 weeks on the chart. It is a record that sounds expensive, and it should — it was made by an artist who knows exactly what he is worth.

Remember (2024)

From “Lungu Boy,” his third studio album, Remember became the most-streamed song in Nigeria on Spotify — a fact that still feels almost impossible to process when you consider the competition. It is a love song, warm and open, built around a melody so straightforward and so well-executed that it feels inevitable. It made converts out of people who had not paid close attention to his earlier work, and it proved that after three albums and countless hit singles, Asake still had entirely new territory to explore.

1st May cannot come fast enough. Make sure M$NEY is the first thing you press play on when it drops.

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Six years after the original Prayer Request became a staple for believers and dreamers, Victor AD returns with a powerful sequel, Prayer Request II. This time, the Nigerian voice of the street expands the spiritual dialogue by bringing in Jamaican dancehall sensation Jahmiel alongside the original collaborator, Patoranking. The result is a cross-continental tune that fuses Afrobeats and Reggae-fusion into a singular, uplifting message of resilience and divine intervention.

The chemistry between the three artists is palpable. Victor AD provides the soulful, grounded foundation that fans of Wetin We Gain will instantly recognize, while Patoranking delivers his signature gritty yet polished verses. The addition of Jahmiel adds a fresh dimension to the track; his Jamaican roots bring an authentic dancehall patois flavour that elevates the song’s appeal. Together, they create a track that feels like a collective petition to the heavens, grounded in the struggles of the everyday man.

Produced once again by the talented Osho Beatz, the instrumental maintains the reverent yet groovy atmosphere of the first iteration. It utilizes bright horns and a steady, marching percussion that mirrors the unwavering faith described in the lyrics. The song moves beyond mere hustle culture to address deeper themes of gratitude and the necessity of spiritual backing in a chaotic world, making it a timely release for the current climate.

Prayer Request II is a quality remix. It is a reinforcement of a message that has defined Victor AD’s career. By bridging the gap between Warri, Lagos and Kingston, the track proves that the language of hope is universal. It is destined to be a favourite in both church halls and club lounges, serving as a reminder that, regardless of the genre, music remains one of the most potent forms of prayer.

Listen to Prayer Request II here.

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Afrobeats sensation Mavo continues his upward trajectory with the release of Mofe. The song further solidifies his reputation as one of the hottest artists in the country at the moment. Following the success of his previous projects, Mofe, which translates from Yoruba as "I want" is an exploration of desire for a woman.

The track showcases Mavo’s unique ability to blend street-pop energy with a smooth, melodic delivery. His style, heavily influenced by his early days making beats with tables and spoons in secondary school, shines through in the rhythmic complexity of the production. Mofe captures a specific Nigerian sentiment of aspiration, wrapped in a sound that is both contemporary and rooted in the South Gidi vibrations he has championed recently.

Lyrically, Mavo strikes a balance between playfulness and grit. He speaks to the desires of a youth generation, wealth, love, and recognition, without losing the infectious charm that has earned him a growing cult following. The song’s production is crisp, featuring the kind of heavy basslines and airy synths that have become a hallmark of modern Afrobeats, yet Mavo’s distinct vocal character prevents it from sounding like anything else on the airwaves.

As Mofe begins to gain traction on digital platforms, it serves as a testament to Mavo’s consistency. He isn't just releasing music, he is building a world where his personal true life stories meet the dancefloor. For an artist who cites both Playboi Carti and Wizkid as influences, this single represents a perfect middle ground, edgy enough for the underground, but polished enough for mainstream dominance.

Listen to Mofe here.

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Following her previous single with Rema, Who's Dat Girl, Ayra Starr returns with Where Do We Go, and it feels like a deep exhale. Released as she navigates her status as a definitive global sensation, the track maintains the high-octane energy of her previous hits.

The song’s origins are surprisingly grounded. Ayra Starr has shared that it began as a personal favourite that she and her friends would play while getting ready for nights out. However, the finished product, produced by longtime collaborator ILYA, is far more than a get-ready tune. It serves as a philosophical inquiry into her romantic life. The lyrics pose the question, Where do we go from here?, directed to her love interest.

Ultimately, Where Do We Go acts as a bridge to a fresh era for Ayra Starr. It retains the rhythmic essence that made her a household name but layers it with a newfound sobriety. It is a record that demands active listening, a soulful marker that proves even at the pinnacle of fame, the quest for direction remains a powerful and relatable human experience.

Listen to Where Do We Go here.

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Mavin Records rapper LADIPOE has dropped his latest single, Folasade, and it’s fire. Known for his razor-sharp lyricism and genre-blending prowess, LADIPOE delivers a poetic ode and a vibey tune, cementing his status as Nigeria’s “Leader of the Revival.”

Folasade is a seamless fusion of LADIPOE’s signature introspective rap and mellow Afrobeats melodies, showcasing his ability to craft emotionally resonant stories. The song, presumably named after a muse, dives into themes of love, longing, and vulnerability, with Poe’s witty “Lifelines” weaving heartfelt bars into a smooth, head-nodding groove. The accompanying lyric video, shared by LADIPOE himself, caters to his “chop mouth crew,” ensuring every bar lands with impact.

Following his 2024 releases like Compose with taves and Hallelujah with Rozzz and Morello, Folasade marks another chapter in LADIPOE’s versatile evolution. His earlier hits, like 2021’s Feeling with BNXN, which racked up over 80 million streams, set a high bar, but Folasade holds its own with its intimate storytelling and polished production. As the first rapper signed to Mavin Records in 2017, LADIPOE continues to redefine Nigerian hip-hop, blending it with Afropop appeal.

Stream Folasade now on all platforms and catch LADIPOE’s lyrical magic in full bloom. Listen here.

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Nigerian sensation Zerrydl has dropped his latest single, Mi Amigo. Following the success of his chart-topping hit Back to Back, the new song sees Zerrydl’s knack for creating infectious, high-energy bangers that usually take the country by storm.

Mi Amigo is a smooth Afro-pop tune, infused with Zerrydl’s signature charisma and melodic flow. The song explores themes of loyalty, camaraderie, and living large, with lyrics that celebrate riding for your crew while exuding confidence. Produced with crisp beats and a catchy hook, it’s the kind of track that feels tailor-made for club playlists and late-night cruises. Zerrydl’s delivery is effortless, balancing heartfelt vibes with a playful swagger that’s become his trademark.

Fans on social media are buzzing about the single, with some calling it a “club banger” that stays true to Zerrydl’s Afrobeat roots, though a few noted they were hoping for deeper lyrical content. The track marks Zerrydl’s first release of 2025, building on the momentum from his 2023 debut EP Danger Zee and his 2024 sophomore EP Wara Wara Szn, which featured artists like Seyi Vibez.

As the younger brother of Afrobeats star Shallipopi, Zerrydl continues to carve his own lane under Plutomania Records, showcasing his versatility as a rapper and singer. Mi Amigo is a testament to his growing influence, offering a feel-good anthem that’s poised to dominate airwaves. Out now on all platforms, catch the vibe.

Listen to Mi Amigo here.

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South African hip-hop heavyweight Nasty C has released his highly anticipated single, Psychic, marking his first official solo drop of the year. The track signifies Nasty C’s return to the spotlight after going independent. The rapper, who also produced the song under his alias Czzle, has been teasing Psychic for weeks, building suspense with cryptic social media snippets and bold artwork, as noted in announcements from SA Hip Hop Mag and Zkhiphani on May 6.

Psychic is a hard-hitting, introspective track that showcases Nasty C’s lyrical agility and genre-blending prowess, a signature of his work since his 2015 breakout mixtape Price City. The song features vivid storytelling, with Nasty C flexing his experiences while navigating interactions with haters, fans, and his inner circle. A snippet shared earlier this week included the line “Hater on my dick, The whole thing not just the Tip,” hinting at the raw, confrontational energy fans can expect. Produced by Nasty C himself, the beat is described as “hard-sounding” by Zkhiphani, with a dynamic flow that highlights his evolution as an artist since his 2023 album I Love It Here, which solidified his global influence with over 120 million streams for Strings And Bling alone.

The release comes at a pivotal moment for Nasty C, who has been operating on a “higher plane” in 2025, balancing fatherhood, fitness, and frequent visual content. The move to independence aligns with his earlier statements on his website, where he emphasized maintaining creative control: “I am still me and no matter what deals I sign; I am not letting anyone dictate my sound or image.” Psychic reflects this ethos, offering a bold, unfiltered look at his journey while reinforcing his status as “The Coolest Kid in Africa.”

With a history of accolades—including being the youngest recipient of the Best Freshman Award at the 2015 South African Hip Hop Awards at age 18—and collaborations with global stars like A$AP Ferg and Davido, Nasty C’s latest single is poised to make waves. Fans expect Psychic to continue his streak of impactful releases, following his 2022 Ivyson Army Tour Mixtape and his role as the first African brand ambassador for Activision’s Call of Duty. As Nasty C embraces his roots and global audience, Psychic delivers a sound that’s both deeply personal and universally resonant, setting the stage for what’s next in his independent chapter.

Listen to Psychic here.

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Nigerian highlife duo The Cavemen, comprised of siblings Kingsley Okorie and Benjamin James, have released their latest single Dancing Shoes, marking their first offering of the year. Known for blending traditional highlife with contemporary soul, the duo, natives of Orlu, Imo State, dropped the track last night, building anticipation from teasers shared on social media earlier this week. Following their acclaimed 2020 debut album Roots, which won Best Alternative Album at The Headies, and their 2024 album Love and Highlife, Dancing Shoes serves as a vibrant lead-in to their upcoming third studio album, Cavy in the City, expected later in 2025.

Dancing Shoes is a rhythmic celebration of movement, love, and connection, rooted in the duo’s signature sound that fuses smooth guitar licks, earthy percussion, and soulful vocals. The track’s lyrics are light yet evocative, encouraging listeners to hit the dancefloor and embrace the joy of life, with lines that evoke nostalgia while feeling fresh and innovative. The song’s upbeat tempo and organic production make it an instant mood-lifter, ideal for live performances and communal celebrations, reflecting their reputation as modern custodians of the genre.

The release follows a strategic rollout, with the duo hinting at the track’s arrival through social media posts, urging fans to “get ready” for a midnight drop. Their live performance prowess, honed since forming in 2018, shines through, promising to bring Dancing Shoes to life on their upcoming Cavy in the City tour, which includes stops in Montreal on May 2 and Toronto on May 4. With a history of self-produced music and a philosophy rooted in love and heritage, avoiding the materialism often found in modern Afrobeats, Dancing Shoes reinforces The Cavemen’s unique place in Nigeria’s music scene, offering a sound that’s both a tribute to the past and a danceable step into the future.

Listen to Dancing Shoes here.

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Nigerian singer-songwriter Mr Eazi has released his first solo single of 2025, Love Me Now. Mr Eazi continues to push boundaries following his 2023 debut album, The Evil Genius, and recent ventures like the 2024 single Panadol. The release comes after a series of collaborative efforts, including his work with ChopLife SoundSystem, and aligns with his ongoing mission to mentor emerging African artists through emPawa Africa, an initiative praised by outlets like CNN and Forbes.

Love Me Now is a heartfelt Afrobeats track that delves into the complexities of love, vulnerability, and past mistakes, showcasing a more introspective side of Mr Eazi. The song, produced by P. Priime, features his signature laid-back delivery, with lush synths and rhythmic percussion creating a soulful backdrop. Mr Eazi’s use of Ghanaian Pidgin and Nigerian melodies, a hallmark of his Banku style, adds authenticity, making the song a stirring reflection of his journey.

While Love Me Now marks a return to solo work, it also hints at more to come, as Mr Eazi reportedly plans additional singles and an EP before year-end. With his global reach—evident from past collaborations with Beyoncé, J Balvin, and Bad Bunny—this track reinforces Mr Eazi’s ability to blend emotional storytelling with Afrobeats' infectious energy, offering a sound that resonates deeply with listeners.

Listen to Love Me Now here.

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Nigerian rapper, actor, and activist Folarin Falana, popularly known as Falz, has dropped his latest single Round of Applause via Bahd Guys Records. The release follows his 2024 collaboration with Simi on Borrow Me Your Baby, and comes amidst his recent candid revelations about art, activism, and personal life at the #WithChude Live event in Lagos on April 30, 2025. Known for his socially conscious tracks like Yakubu (2023) with Vector and his role in the #EndSARS movement, Falz takes a lighter yet reflective tone with this new offering, showcasing his versatility as an artist who can balance entertainment with depth.

Round of Applause is a vibrant track that blends Yoruba, Pidgin, and English, creating a captivating sound that oscillates between celebrating the good life and acknowledging grounded realities. The song, produced by Tuzi, features Falz’s clever wordplay and vivid imagery, with lyrics that paint a picture of life’s joys, like luxury and success, while staying rooted in the everyday struggles of Nigerians.

Thematically, Round of Applause reflects Falz’s ability to draw inspiration from his environment, a trait he emphasized during his #WithChude Live appearance, where he noted, “I’m the kind of artist who draws inspiration from my environment. I can’t help it.” While the song leans into a celebratory vibe, it subtly nods to his activist roots, balancing personal triumphs with a broader commentary on resilience. This duality aligns with Falz’s career trajectory—from his breakout Marry Me in 2014 to his politically charged Moral Instruction in 2019—where he’s consistently used music as a lens for both joy and justice.

Falz, a trained lawyer and son of human rights activist Femi Falana, has always been more than just a musician. His recent reflections on the emotional toll of the #EndSARS protests and the challenges of maintaining a healthy love life in the entertainment industry add a layer of authenticity to Round of Applause. The track feels like a moment of release for the artist, who has spent much of his career carrying Nigeria “on his head,” as he put it. With his forthcoming project on the way, Falz’s latest single is poised to add to his impressive catalog, offering a subtle nod to the realities that shape his artistry.

Listen to Round of Applause here.

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South African pop sensation Tyla has released her much-anticipated single Bliss, marking her first solo drop since the deluxe edition of her self-titled debut album in October 2024. The track, produced by NOVA WAV and Sir Nolan, serves as the lead single for her upcoming sophomore album, which Tyla hinted will showcase a fresh sound while retaining her core identity. Following her global breakout with Water in 2023 and recent features like the Show Me Love remix with WizTheMc, which hit No. 11 on Billboard Global Excl. US, Bliss arrives amid high expectations, fueled by Tyla’s Coachella 2025 preview and her stunning Met Gala appearance on May 5.

Bliss is a smouldering Afro-pop ballad that intertwines R&B’s emotional depth with amapiano’s euphoric undertones, exploring the transcendent power of love. Tyla’s lyrics, like “I don’t wanna be in the world without you / Baby, I don’t wanna let out my sight,” reflect an all-encompassing desire to stay connected, while the chorus—“You take me to bliss / Never felt a love like this / Never found it, never found it”—captures the euphoric escape love offers. Her vocals glide over a rich, melodic soundscape, with lines such as “Let my smile bring you peace of mind / Burnin’ desire when you throw your arms all around me” evoking a spiritual and physical closeness. The track’s ethereal vibe is amplified by its visual rollout, featuring Tyla with angelic wings, a motif that first appeared in her April 29 teaser and aligns with the song’s theme of transcendence.

The single’s release follows a strategic buildup, starting with a Coachella performance on April 18, where Tyla debuted the track to an electrified crowd, and a pre-save campaign that sent fans into a frenzy. Social media buzz has been intense, with listeners calling it a “summer vibe” and praising its “poppy” energy, suggesting Tyla’s evolution into a more diverse soundscape. The song’s title also ties into her Erewhon smoothie, Bliss by Tyla, with proceeds supporting 18twenty8, a South African non-profit empowering young women—a nod to her commitment to social impact. With Bliss, Tyla continues to blend her Johannesburg roots with global appeal, delivering a track that feels deeply personal and universally resonant, setting the stage for her next chapter.

Listen to Bliss here.

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Nigerian Afro-fusion star BNXN, formerly Buju, has released his brand new single Cutesy, via EMPIRE, marking his first solo release of the year. Following his 2024 hits like Phenomena and the Rema-assisted Fi Kan We Kan, BNXN continues to solidify his status as one of Nigeria’s most compelling voices with the new track, produced by Jiggy. The single, part of his forthcoming project, arrives after a successful run with his debut album Sincerely, Benson (2023) and the collaborative EP RnB with Ruger.

Cutesy is a melodic love anthem that radiates warmth and affection, blending BNXN’s signature soulful vocals with soft percussion and warm harmonies. The track captures the playful thrill of romance with lyrics like “Cutesy (cutesy), Fun size (fun size), The shit I’ll do for your love, It’s like a movie (movie), Oh my (oh my),” painting a picture of a love so enchanting it feels cinematic. BNXN’s emotional delivery shines as he sings, “I’m sitting here, I’m fucked up, You don’t know me (know me),” revealing vulnerability beneath the song’s sweet exterior. The fusion of Afrobeats rhythms with R&B sensibilities creates a feel-good vibe perfect for cozy, intimate moments.

BNXN, born Daniel Benson in Lagos, has been a force in Afrobeats since his 2019 breakout Spiritual with Zlatan, later collaborating with global stars like Wizkid, Burna Boy, and Dave. His ability to weave raw emotion with infectious grooves, as seen in past hits like Finesse and GWAGWALADA, is on full display here. Cutesy adds to his impressive catalog and sets the stage for his next project, hinting at more explorations of love and connection. With over 2.1 billion career streams, BNXN’s latest release is poised to captivate fans, offering a charming mood that’s hard to resist.

Listen to Cutesy here.

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