Nigerian superstar Davido, known for his captivating Afrobeats sound, is honoured with 'Davido day' in Texas and another in Georgia.

These days, honour OBO's journey from a young music enthusiast to a celebrated artist, philanthropist, and record label owner. Davido is well-recognised with multiple BET and MTV awards. We'll delve deeper into Davido Day celebrations and their significance.

What is Davido Day?

Davido Days is a special celebration dedicated to renowned Nigerian superstar David Adeleke, popularly known as Davido. Notably, there are two days declared for the artist—one by the city of Houston, Texas, and the other by Davido’s town of birth, Atlanta, USA.

These days, honour Baba Imade's contributions to the music industry and his role as a cultural ambassador for Nigeria. The Davido days align with similar honours given to other prominent artists, such as Wizkid, who was celebrated with a dedicated day in Minnesota.

When and Where Did Davido Day Start?

Davido Day was first proclaimed by the City of Houston, Texas, on July 7, 2023. 

The special day was declared by Houston's mayor, Sylvester Turner. It was primarily after his sold-out performance at the iconic Toyota Centre in Houston, which has a 20,000 concert capacity.

In the proclamation, Mayor Turner stated, "I, Sylvester Turner, Mayor of the city of Houston, do hereby proclaim July 7, 2023, as."

Then on November 18, 2023, the mayor, Andre Dickens, and the Atlanta City Council declared November 18 ‘Davido Day’. This was after he headlined the A.W.A.Y. Festival at the State Farm Arena in Atlanta.

In a message to the singer on his birthday on November 21, 2023, the mayor noted that Davido has “captivated audiences worldwide, becoming a global icon in the music industry.” He continued, “On behalf of the City of Atlanta, thank you for your tireless efforts as a renowned singer, songwriter, producer, business leader, philanthropist, and community advocate.”

Throughout your remarkable career, you’ve amassed an incredible number of accolades and continue to use your platform to give back to communities in the United States and throughout Africa.”

Earlier, the Atlanta City Council, in a statement, said, “Be it resolved that we, the members of the Atlanta City Council, on behalf of the citizens of Atlanta, do hereby proclaim November 18, 2023, as Davido Day in the City of Atlanta.”

How has Davido Day been celebrated so far?

On July 7, 2024, the only celebrations were by fans who posted in that regard.

Read the latest on Davido here, and Get Fresh updates as they drop via X and Facebook

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Award winning Banku Music Maestro and B.O.Y Music protege Ofego who recently released the Official Music Video for the second and lead single off his upcoming album 1 Man MP after the huge success of his 2025 album D Girls Dem Daddy has received wild accolades from fans all over the world.

This is coming for the originality of the Nor Be Who First Call Police Official Music video which depicts the song's context and not following the narrative of a regular music video.

The video which was directed by Chris Ekios garnered hundred thousand views under 24 hours due to its anticipation.

Nor Be Who First Call Police Official Music video

Ofego's previous videos for Girls Dem Daddy Remix, Girls Dem Daddy both directed by Madumike and Desperado Remix directed by Chris Ekios are performing incredibly well on VEVO, the world's largest music videos distributor. And not quite a while ago Ofego collaborated with gifted Nigerian rapper Therealbarrylane for 247 100 Bars, the first single off 1 Man MP album which was widly streamed in the Netherlands, he also released the third single Justice With Mercy and the fourth, What Are We Waiting For Featuring Congolese soulful songstress Salima Chica and recently he released the fifth single Government Worker.

With all singles performing beyond expectations, the sixth single off 1 Man MP album, Laugh Rhythm Featuring Salima Chica, produced by DCQ BEATZ and mixed and mastered by Mr Uzezi is scheduled to be released soon.

Several fans praised Nor Be Who First Call Police Official Music Video with one fan writing; "You're a real game changer and another commenting; I've watched this video over and over again, the more I watch the more I realise indeed, Nor Be Who First Call Police dey win case."

Get the latest Naija music videos here and Get Fresh updates as they drop via X and Facebook

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As Chocolate City celebrates two decades of shaping Nigeria's music landscape, the entertainment powerhouse is marking its anniversary with strategic partnerships to address one of the industry's most critical needs: infrastructure.

Last weekend, Chocolate City Group formalized a 15-year partnership with the Plateau State Government to establish a creative industry hub and radio station in Jos, the city where the company's story began over twenty years ago.

The partnership, signed in Jos, will develop production facilities, training programs, and media infrastructure designed to nurture creative talent in Nigeria's Middle Belt.

"Plateau is dear to me. I came here in 1993 to study law. Without Jos, there would be no Chocolate City," said Audu Maikori, Chairman of Chocolate City Group, who led his company’s delegation. "It's time we give something back."

The Jos hub represents more than just the company's business expansion. For Maikori and co-founder Paul Okeugo, who began their journey organizing campus events at the University of Jos, it's a meaningful homecoming.

A National Vision Takes Shape

What makes Chocolate City's infrastructure push particularly significant is that the Jos partnership isn't happening in isolation. It builds upon an earlier Memorandum of Understanding signed with the Federal Ministry of Arts, Culture and the Creative Economy (FMACCE) in April.

That agreement, which outlined collaboration between Chocolate City and the federal government, established a framework for developing creative industry infrastructure across multiple regions of Nigeria.

Abuchi Peter Ugwu, CEO of Chocolate City Music, explained the company's broader vision: "Our goal is to channel creativity into productive economic activities across Nigeria. We're starting with Jos because of our roots there, but we're working with both state and federal partners to address infrastructure gaps nationwide."

The FMACCE partnership focuses on policy development, capacity building, and connecting Nigeria's creative industries to global markets, while the Plateau State initiative provides a concrete implementation model that could be replicated elsewhere.

The Infrastructure Gap

These moves come at a critical time for Nigeria's creative sector. While Nigerian music, film, and fashion have gained international recognition, the country's creative infrastructure has struggled to keep pace with the explosive growth.

PwC’s Global Entertainment & Media Outlook (2024-2028) projected that Nigeria’s entertainment and media market will grow from US$9.0bn in 2023 to US$13.6bn in 2028, making it one of the fastest-growing segments of the economy. Industry experts believe this figure could multiply several times over with adequate infrastructure.

"The talent has always been here, but the tools, training, and distribution channels have been limited, especially outside Lagos," notes Paul Okeugo, Vice Chairman of Chocolate City Group. "We've seen countless artists with tremendous potential who simply couldn't access what they needed to develop their craft professionally."

What This Means For The Industry

The implications of these partnerships extend far beyond Chocolate City's business interests. They signal a potential shift in how Nigeria's creative economy develops over the next decade.

First, these initiatives could address the extreme centralization of Nigeria's music industry in Lagos. While the commercial capital will undoubtedly remain the industry's nerve center, developing regional hubs could distribute opportunities more equitably and uncover talent that might otherwise go undiscovered.

Second, the public-private partnership model for the creative industry that is being developed offers a template for sustainable infrastructure development. Government partners bring policy support, land, and basic infrastructure, while industry players like Chocolate City contribute expertise, networks, and creative development know-how.

"This approach solves problems the government alone can't solve, and reaches places private industry alone wouldn't go," explains Eze Obioha, a music industry insider. "If executed well, it could become a blueprint for creative economy development across Africa."

Third, these partnerships potentially create career pathways beyond performing artists. The planned facilities will require technical specialists, producers, managers, and other professionals, potentially broadening the creative careers available in Nigeria.

Legacy Building In Real Time

As streaming numbers and social media followers have become the dominant metrics in music industry success, Chocolate City's focus on physical infrastructure represents a different kind of ambition.

These developments could significantly improve career possibilities for young artists and creative entrepreneurs, particularly those outside Lagos. The combination of studio facilities, professional training, and media platforms promises to reduce barriers to entry that have historically limited who can participate in Nigeria's creative economy.

Whether this model succeeds will depend on sustained commitment from all parties. Still, the ambition alone marks a significant moment in the evolution of Nigeria's creative industries—one where infrastructure development finally begins to match the country's enormous talent pool.

"The best journeys take you back to where you started, but with the resources to make it better for those who come after you," Okeugo reflects. As Chocolate City enters its third decade, that philosophy appears to guide its next chapter.

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London’s urban airwaves just got a fresh boost of energy—TeeJay Ameen, one of the Africa’s most dynamic and rising voices in music and pop culture, has officially joined the presenter lineup at The Beat London 103.6FM.

Known for his vibrant energy, sharp cultural insight, and undeniable connection to the pulse of African entertainment, Teejay has a strong background in broadcasting, event hosting, and talent management, carving a name for himself as more than just a presenter, he’s a culture curator.

The Beat London 103.6FM has long been a cultural staple, giving a platform to unique voices and the addition of Teejay Ameen to the team signals a continued investment in the next generation of broadcasters who are in tune with the culture and unafraid to shake things up. Teejay’s presence in UK media has been steadily rising, from his viral social content to dynamic interviews with some of the hottest names in music and entertainment. His style is raw, relatable and authentic: qualities that perfectly align with The Beat London’s commitment to representing the pulse of the city.

Speaking about his new role, TeeJay said:

“Joining The Beat London feels like coming home. I’ve always admired the platform and its purpose while I was back home in Lagos, Nigeria. I’m here to make noise, amplify local voices, and keep the vibes 100% real every time we’re on air.”

According to him, he will be hosting one of the flagship Afrobeats shows on the station called AFROVERSE alongside Rod Rantz and DJ Meks, the show is set to platform not just Afrobeats but African music at large. Listeners can expect a mix of hard-hitting interviews, exclusive tracks and TeeJay’s signature style—raw, witty, and relentlessly engaging. Whether he’s breaking the next big artist or taking deep dives into hot topics in the African music scene, one thing’s for sure: his presence will be felt.

Catch Teejay Ameen live on The Beat London 103.6FM every Thursdays, 9-11pm BST starting from the 15^th of May 2025. 

You can listen on DAB radio, online at www.thebeat1036.com, or through the TuneIn app.

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