Vue lecture

Ciara & Diamond Platnumz Turn the Dance Floor Upside Down in “Low” | Watch

Ciara declared, “This is the lowest I’ve ever gone!”—and she wasn’t joking. You have to see the way she glides, drops, and moves in the music video for “Low” featuring Diamond Platnumz.

If there’s one thing Ciara has proven over the years, it’s that she will always deliver a performance that makes you want to get up and dance. She moves with such control that even when she goes impossibly low, you can’t help but marvel at her strength and precision. Those knees are made of steel.

 “Low” is pure dance-floor magic. A song that celebrates confidence and sensuality. Ciara and Diamond Platnumz tell a story of two people drawn to each other’s presence, completely immersed in the rhythm, and unafraid to embrace the moment. The hook’s “low” isn’t just a lyric; it’s a challenge to get down and move with abandon.

This track is for when you’re feeling bold, fearless, and ready to take over the dance floor or your bedroom mirror. The music video only amplifies that energy, giving fans even more reason to put it on repeat and try to match Ciara’s legendary moves. Just remember: go easy on your knees.

Watch the music video below.

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Tiwa Savage & Skepta Capture the Beauty of a Private Love in “On The Low”

Are you feeling the groove and the love in Tiwa Savage’s new track, “On The Low” featuring Skepta? It’s the kind of song that stirs up all the emotions — and if you’ve been playing it on repeat, you’re not alone.

“On The Low” weaves together the rhythms of Afrobeats and the moody essence of UK R\&B, setting the tone for a story of love unfolding away from prying eyes. The song explores a relationship kept quiet, perhaps because of external pressure, complicated circumstances, or fear of judgement. Still, the desire between them is undeniable, with a longing for intimacy and moments shared in private.

And now, with the release of the video, that quiet tension and connection come to life on screen. With just Tiwa and Skepta taking centre stage, the visual is simple yet intimate.  A perfect match for the song’s message.

Watch the video below.

The post Tiwa Savage & Skepta Capture the Beauty of a Private Love in “On The Low” appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

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Brace Yourselves! Tiwa Savage Announces “This One is Personal” & It’s Her Rawest Album Yet

Photo Credit: Tiwa Savage/Instagram

Remember when Tiwa Savage gave us “You4Me” earlier this year and it instantly felt different? Not just a new single vibe — but like something bigger was coming? And then she released “On The Low” with Skepta, and yeah, at that point, the signs were loud.

Well, she finally said what we were all hoping for. Tiwa’s new album “This One is Personal” is officially on the way. Mark your calendars for August 29 because we’re getting 15 new tracks.

She made the announcement on Instagram with a photo that looks like something out of a fairytale-slash-retro dream. Tiwa is sitting on a beautiful tall stack of pastel and jewel-toned mattresses, holding a silver boombox. The vibe is Afro princess meets vintage nostalgia. It’s theatrical in the quietest, most thoughtful way.

She revealed that the album was two years in the making. It was recorded in multiple cities — Nashville, Lagos, Malibu, San Francisco, London — and is full of real emotions and real-life stories. “Some of these records were born out of pain and very dark times,” she wrote. “But every single song… is something I went through.”

She even called the album a “chunk of my heart” and says she excited, nervous, a bit scared but immensely grateful.

 

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A post shared by Tiwa Savage (@tiwasavage)

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Tiwa Savage and Skepta Just Made a Case for Low-Key Love on “On The Low”

Photo credit: Tiwasavage/Instagram

After weeks of subtle hints and teaser clips, Afrobeats queen Tiwa Savage and British-Nigerian rapper  Skepta have finally made it official with “On The Low,” their smooth new single ahead of her fourth studio album “This One Is Personal.”

It follows April’s “You4Me,” that soft, swoony R&B number she described as a gift for her RnB lovers.

Produced by Rymez, “On The Low” floats between Afrobeats and smoky UK R&B. Tiwa Savage glides through the beat with that confidence she wears so well, while Skepta steps in with a verse that’s sharp, calm, and clean.

Lyrically, it stays in the world of private love. It is about the kind of romance that lives in soft moments, unspoken habits, and low-lit memories.

Listen below

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Tems in Yellow & Gold at 7Fest is a Moment We’re Still Not Over | See Photos

Photo Credit: Tems/Instagram

Yellow does something special on dark skin — it glows, it lifts, it speaks. So when Tems stepped out at 7Fest in that canary-hued top, we knew we were about to be seated.

The halter-style top, slashed down the middle and laced in gold chains, didn’t play it safe. It draped and dipped in all the right places, sitting just above low-slung denim that nodded to a different kind of cool. Her body was adorned in gold, from a chain belt to layers of statement necklaces, giving this look the feel of both a goddess and a girl who knows exactly what she’s doing.

And she does. Tems has had a full-circle kind of summer, headlining Down The Rabbit Hole in Amsterdam, gracing stages across continents, and still finding time to serve looks that stay with you.

Her hair, styled into soft curls with cornrows that framed her face like a crown, completed the look. Her lips, deep brown-red, were rich enough to anchor the whole moment.

So yes, we’re still thinking about it. And saving it. And sending it to the group chat with that emoji.

See the look below.

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In Her Own Flow: Fimí Is Building Something Steady and New

Fimí breezed into the scene with a certain ease. No viral breakout, no manufactured hype, just a steady presence and a sound that catches your ear for how self-assured it feels. Her flow is deliberate and fluid, shifting pace when it needs to, yet always holding its shape. There’s a sense that she’s not just here to participate; she’s here to build.

That quiet confidence also extends to how she presents herself. Online, she goes by Fimiwiththeflow, and there’s a certain calm in her delivery, like someone who’s clear on the beat she’s choosing to walk to. In her visuals, she leans into contrast: one moment draped in a traditional buba and iro, the next, stepping out in a tailored skirt suit and church hat. All of it feels like her.

That same layering shows up in how she talks about her music. She’s not limited to a lane, and she knows it. “My fans already know I’m dynamic,” she says. “But I’m sure no one really knows the extent of it just yet, not even myself.” She speaks with interest about exploring fuji and highlife, not as a reinvention, but as a natural extension of the sound she’s shaping.

And that’s perhaps what makes Fimí such a compelling voice to watch. In this exclusive conversation, we meet a rapper whose flow, visuals, and vision are as distinctive as her name suggests.

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You’ve talked about growth a lot. How has your creative process changed between your Shawybee era and who you are now as Fimí?

Shawybee era was wild. I was running on pure vibes and Inshallah. No real structure, I just powered through off of pure passion. As Fimí, I’ve come to realise that it takes way more than that. It takes intentionality and commitment. Every little detail counts. My process feels spiritual sometimes, like I’m just a vessel and I create what I’m “inspired to” at a given moment. I still vibe sometimes, but now there’s purpose behind the creativity.

Pookie blended traditional elements with modern visuals. What’s one Nigerian cultural element you’re eager to explore more deeply in your music or visuals?

I’m looking to explore the rich beauty of my language (Yoruba) more in my music.

You mentioned “Let It Shine” as a major influence. What’s a movie, show, or book that recently inspired a verse or concept?

I’m obsessed with the “Friends” tv show, so I referenced Phoebe Bufay (one of the characters) in a cover I did a few weeks ago. I said “This ain’t no smelly cat, I’m just saying play with it Friendly, Phoebe Bufay it”

If you could design your dream stage performance; with no budget limit; what would it look and feel like?

Like freaking Coachella. It would be a whole festival with people playing dress up to come see me.

You hinted at wanting to act—what kind of role would be your dream debut, and which Nigerian director would you love to work with?

Any role really. I’d love to work with Kemi Adetiba and Kunle Afolayan.

What’s a part of your personality or story that fans still don’t fully know but you’d love to share through your music soon?

My fans already know I’m dynamic, but I’m sure no one really knows the extent of it just yet, not even myself. But for the sake of the question, I’d say my sense of humor.

You joked about mumble rap, but what’s one “non-Fimí” genre or trend you’d actually love to experiment with?

Fuji for sure. I love how absolutely naughty Fuji and highlife was and how the OGs got away with it every time.

If you could form a rap trio with two other artists, local or international, who would they be and why?

Easy. Kendrick Lamar, Doja Cat and Fimí combo would eat. I love when artists are unapologetically themselves and not afraid to explore their creativity even if it looks like it doesn’t make any sense some times (shoutout to Doechii, Tyler and Foggie Raw too. I wish I could make a whole band instead of a trio).

What’s your writing routine like—are you a notes app girl, voice memos, or old-school pen and paper?

I’m a “this crazy punchline just dropped in my head while I’m doing dishes, I need to dry my hands on my butt and write it down in my notes app then record the melody on my phone so I don’t forget it” kinda girl.

You said this feels like your year. What would “making it” look like to you at the end of 2025?

At the end of 2025, I’m opening shows for major artists both locally and internationally. Maybe even headlining my own show, could be a small and intimate gathering. Overall, getting stopped on the street by someone who says, “Your song helped me through something.” That, to me, is making it.

Looking back at “Altruists” and now at “Pookie,” what advice would you give 10-year-old gospel-rap Fimí?

I’d say “Don’t dim your light to fit in. Keep writing those weird rhymes in your notebook. You’re not crazy for dreaming big. Also, record everything. You’ll want to look back and smile at how far you’ve come.”

If someone new to your music had to start with just one track, which one would you choose and why?

This is a tough one, I’m very emotionally attached to all my songs. But I’d say start with ‘Hey Shawy’. It’s very vulnerable and tells a story about my dreams and ambitions — my transition from Shawybee to Fimí.

What’s your approach to visuals? Do you plan your concepts alongside the music or let the sound guide the story after it’s done?

It’s a mix. Sometimes, I see the visual before the beat is even done. Like a scene flashes in my mind. Other times, the music reveals the story.

Shawybee, Altruists, Let it Shine, Friends and Pookie; What do these five words mean to you?

Shawybee: My first voice, my essence. Before I had direction or a sound, I just had something to say, and I said it loud. She was fearless in the way only someone still figuring it out can be.
Altruist: The beginning of my journey. It was my first attempt at translating what I felt into something people could feel too.
Let it Shine: My origin story. The movie that made little me feel seen. It told me I wasn’t weird for writing raps in my notebook or dreaming about stages I hadn’t touched yet.
Friends: My mirror, my safe space. They knew and saw me before Fimí.
Pookie: Innovative. Infusing two genres that’s never been done is nothing short of an innovation.

I’m a genius!

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Photo Credit: Fimí

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