Angélique Kidjo and Ayra Starr sitting in a recording studio for their Aye Kan collaboration. Photo Credit: Angélique Kidjo/Instagram

Do you know Angélique Kidjo and Ayra Starr have been cooking something in the studio? Don’t worry, this Friday, you get to feast on a single from the duo. Now, the secret is officially out.

The five-time Grammy Award winner has confirmed that Ayra Starr is the special guest on her upcoming single, “Aye Kan (Are You Coming Back?)”. She shared the news on social media alongside a glimpse into their studio session, adding that they had “so much fun” putting the track together. From the dancing in the video, it’s easy to see what she means.

This collaboration has been a long time coming. The two first set the internet buzzing earlier this year when they met at the MusiCares Person of the Year gala in Los Angeles. Seeing the Beninese legend and the Nigerian star share a moment on the red carpet, with Ayra in a champagne corset gown, had many hoping for a musical link-up. It turns out they got to work not long after.

Ayra Starr in a bronze off-the-shoulder gown posing with five-time Grammy winner Angélique Kidjo, who is wearing a grey blazer and red headwrap, at the 2026 MusiCares Person of the Year gala in Los Angeles. Photo Credit: Angélique Kidjo/Instagram

For Ayra Starr, this is another big moment in a busy year. She is still riding the wave of her latest single, “Where Do We Go,” and a collaboration with a global icon like Kidjo further reinforces her place as one of the continent’s most exciting voices.

As for the “Queen of African Music,” this release sets the tone for what’s ahead. The single leads into Angélique’s highly anticipated 19th studio album, “Hope!!,” arriving on 24 April. The project also features names like Davido and The Cavemen, making it one to look out for.

Mark your calendars for Friday, 27 March. Something tells us this one will be on repeat for a while.

 

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Close-up studio portrait of Angélique Kidjo wearing a red headscarf and a black top with colourful 3D floral appliqués, smiling against a white background for her “Hope!!” album campaign. Photo Credit: Angélique Kidjo/Instagram

If there is one artist who has spent decades proving that African music belongs everywhere, on every stage, in every conversation, it is Angélique Kidjo. And she is not slowing down. The legendary Beninese singer has just announced her 19th studio album, “Hope!!,” arriving on 24th April 2026, and from what we already know about it, the continent has every reason to be excited.

This is a 14-track album five years in the making, dedicated to Kidjo’s late mother Yvonne, who she described as a lasting source of optimism and courage. That dedication is not just sentimental. It carries all the way through to the closing track, a version of Malaika, a song her mother loved.

The album features Pharrell Williams, Nile Rodgers, Quavo, Charlie Wilson, Fally Ipupa, Diamond Platnumz, PJ Morton, IZA, Florent Pagny, Dadju and the Soweto Gospel Choir, alongside Nigerian acts Davido, Ayra Starr and The Cavemen. Pharrell also produced three tracks for the album in Paris.

The presence of Davido, Ayra Starr and The Cavemen on this project is worth noting. Kidjo and Davido are no strangers to each other — the two have previously collaborated on “Na Money” and “Joy.” Seeing them reunite on “Hope!!” adds another chapter to a working relationship that has already produced two songs together.

Ayra Starr in a bronze off-the-shoulder gown posing with five-time Grammy winner Angélique Kidjo, who is wearing a grey blazer and red headwrap, at the 2026 MusiCares Person of the Year gala in Los Angeles. Photo Credit: Angélique Kidjo/Instagram

The first single, “Fall on Me,” features PJ Morton and gives an early sense of the album’s tone, shaped by themes of joy, strength and perseverance. Kidjo has said she poured her whole heart into this project, and with a feature list that bridges continents, generations and genres, it shows.

“Hope!!” follows her 2021 album “Mother Nature,” which won a Grammy Award for Best Global Music Album

 

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Nigerian highlife duo The Cavemen, comprised of siblings Kingsley Okorie and Benjamin James, have released their latest single Dancing Shoes, marking their first offering of the year. Known for blending traditional highlife with contemporary soul, the duo, natives of Orlu, Imo State, dropped the track last night, building anticipation from teasers shared on social media earlier this week. Following their acclaimed 2020 debut album Roots, which won Best Alternative Album at The Headies, and their 2024 album Love and Highlife, Dancing Shoes serves as a vibrant lead-in to their upcoming third studio album, Cavy in the City, expected later in 2025.

Dancing Shoes is a rhythmic celebration of movement, love, and connection, rooted in the duo’s signature sound that fuses smooth guitar licks, earthy percussion, and soulful vocals. The track’s lyrics are light yet evocative, encouraging listeners to hit the dancefloor and embrace the joy of life, with lines that evoke nostalgia while feeling fresh and innovative. The song’s upbeat tempo and organic production make it an instant mood-lifter, ideal for live performances and communal celebrations, reflecting their reputation as modern custodians of the genre.

The release follows a strategic rollout, with the duo hinting at the track’s arrival through social media posts, urging fans to “get ready” for a midnight drop. Their live performance prowess, honed since forming in 2018, shines through, promising to bring Dancing Shoes to life on their upcoming Cavy in the City tour, which includes stops in Montreal on May 2 and Toronto on May 4. With a history of self-produced music and a philosophy rooted in love and heritage, avoiding the materialism often found in modern Afrobeats, Dancing Shoes reinforces The Cavemen’s unique place in Nigeria’s music scene, offering a sound that’s both a tribute to the past and a danceable step into the future.

Listen to Dancing Shoes here.

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Every week, OkayAfrica highlights the top Afrobeats and African music releases through our best music column, Songs You Need to Hear This Week.

Read ahead for our round-up of the best new African music tracks and music videos that came across our desks this week.

BNXN – “Cutesy”

Cool flame best describes "Cutesy," the new record from BNXN. Known for flexing his lyrical abilities, on this one, the artist goes for the atmospheric, utilizing the half-realized pomp of drill-esque drums to croon about his intentions for his lover. It's an affectionate performance made even more tender by BNXN's unfazed delivery, taking the theme in good stride even as the production infuses a strong dramatic quality. Sounding like a new era, we're all ears for what the artist has lined up. - Emmanuel Esomnofu

saveHXPE - "80s Baby" (feat. Baby Diaz)

Lesotho's saveHXPE wears his influences on his sleeve. On the follow-up to "Real", released earlier this year, he utilizes a Kendrick Lamar-esque cadence to magnetic effect. Baby Daiz is the extra seasoning, and levels up an otherwise intimate affair into a rap banger with multiple replay value. - Tšeliso Monaheng

Anendlessocean – "ZA"

Known for blurring the lines between contemporary gospel and the mainstream, Anendlessocean has delivered another record of stunning quality. "ZA" is an affirmative number elevated by its stirring, stripped soundscape and the artist's lucid lyrics, wherein he boasts of the assurance of living in the spirit. As always, it's a fine feat of musicality that is made even more beautiful through its resounding message. - EE

ID Cabasa, Bella Shmurda, Ayo Maff & Ajebo Hustlers – "Anytime Reimagined"

Veteran producer ID Cabasa has been orchestrating a series of reimagined songs, giving fresh life to some of the most transcendental records of the 2000s. On his latest, he flips the aspirational hues of 9ice's "Anytime," collaborating with a trio of artists who made their name from similar stories. A fine mix of lyrical sensibilities, the voices are in sync as well, making this undoubtedly one of the best songs from the project yet. - EE

Ishuu Industry & Ntate Stunna - "Ndeya Ndeya" (feat. 2wofresh)

On "Ndeya Ndeya", Ishuu Industry and Ntate Stunna create a party anthem for the ages. With 2wofresh in the mix, the song becomes more than just a jam; it's a statement of intent, never to stop loving the good times. - TM

Rowlene & Christer – "Don't Give Up On Me"

One of the most impressive voices in the scene, there's a vulnerability that is uniquely expressed in every Rowlene song. Her adeptness in the R&B style heightens her feeling for the mundane; even the most ordinary experiences are magnified when she sings about them. "Don't Give Up On Me" thrives on these influences. It emphasizes that while human flaws are inevitable, it's important for lovers to remain in awe of one another. With an exhilarating delivery that soars until the last second, it's one of the most emotive songs you've heard recently. – EE

B4bonah & Samsney – "Active"

Produced by Samsney, this record showcases a vulnerability in its arrangement. It explores the familiar Afropop theme of striving to build a better life, but its unique appeal comes from the infectious beat and B4bonah's spirited performance. Ultimately, it's a song reiterating the energy Ghanaian artists bring to the scene, and as always, it's active. – EE

The Cavemen - "Dancing Shoes"

Siblings Kingsley Okorie and Benjamin James are The Cavemen, a duo whose potent highlife songs have gained a sizeable following over the years. They have spent time with Lady Donli, KDDO, Busketmouth, and other shining lights in the Nigerian music scene. "Dancing Shoes" is a party manual, guiding you gently towards requisites on the dance floor. The aim, however, isn't to sweat, but to live in the music and never leave its magnetic field. - TM

Kwesta - “Joy” (feat. Nkosazana Daughter)

One of the most decorated rappers in South African hip-hop, Kwesta's range extends beyond the template he operates within. He has had bangers across genres and remains as sharp and relevant to the scene as ever, a testament to his staying power. On "Joy", he calls upon Nkosazana Daughter, whose silky voice is the sonic embodiment of easy living. In his usual, raspy voice, Kwesta spit lyrics steeped in slang so complex, it sounds like he invented the words for this song specifically. - TM