Jon Batiste in Eleven Sixteen by Ugo Mozie Grammys 2026 custom jacket

Did you catch Jon Batiste at the 2026 Grammys? We’re willing to bet you did, because his looks were impossible to miss. From the moment he stepped out, it was clear this wasn’t just another red carpet appearance — it was fashion with intention.

If you’ve been wondering who was behind those striking, gem-laden ensembles, we’ve got the scoop. Jon Batiste wore not one, but two custom looks by Nigerian-owned fashion brand Eleven Sixteen, designed by stylist and creative force Ugo Mozie, at the 2026 Grammy Awards, a night that also saw the multi-instrumentalist take home the award for Best Americana Album.

Ugo Mozie is no stranger to dressing icons. His impressive portfolio includes styling and designing for the likes of Diana Ross, Leon Thomas, and even Beyoncé and Blue Ivy during the Cowboy Carter era. Closer to home, he’s also worked with Nigerian stars such as Tiwa Savage, Asake, and Flavour. Still, these Grammy looks feel especially meaningful — deeply rooted in faith, heritage and storytelling.

Speaking on the process, Ugo revealed that the pieces were created in collaboration with Gogo Hsu, a master tailor he discovered in Taiwan. He described the journey as a spiritual one, drawing inspiration from biblical imagery, particularly Aaron’s breastplate of gems — as well as ancient mosaic paintings.

For his arrival, Jon Batiste stepped out in a military-inspired black sequined jacket, complete with gold beaded epaulettes, ornate gold trims and closures, and colourful jeweled patches. Pearl-like button details added another layer of texture, while tailored black trousers and Christian Louboutin loafers with gold chain accents completed the look.

Later, he switched into an equally striking second outfit: an all-black sequined long-sleeve shirt adorned with royal blue crystal-embellished horizontal stripes across the chest and decorative jeweled accents. He paired it with black trousers and a gold crystal-embellished belt with dangling details, finishing the look with twisted locs styled high.

According to Ugo, both looks were crafted using over 100,000 Swarovski crystals, pearls, Colombian emeralds and African gemstones sourced from Mina Stones. He described the finished pieces as “spiritual armour in couture form.”

 

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Can we hear a little commotion for Blue Ivy’s outfit? Her look carried just the right mix of sass and flair — a perfect fit for the young star. What makes it even more special is that the outfit was crafted by Nigerian fashion brand Eleven Sixteen, designed by Ugo Mozie. And truly, Blue Ivy wore it with style and confidence during her dance performance.

At the final leg of the Paris stop on the Cowboy Carter tour, the 13-year-old stepped onto the stage like it was her own runway, delivering a solo dance at the show’s opening. Her look combined cosmic glamour with Western-inspired flair. Dressed in white and detailed with gold-plated cowrie shells and custom Benin bronze statuettes, made in Nigeria, her outfit featured a structured corset top with metallic studwork, paired with flared trousers decorated in bold black flame patterns and scattered with playful star motifs. Long white fringe along the legs moved with every step, while gold-toned, shiny platform boots completed the look with extra sparkle.

And then there was her entrance. Blue Ivy arrived under a white umbrella trimmed with cowries, wearing a wide cowboy hat rimmed in gold and finished with dangling cowries along the brim. Her voluminous, wavy hair, paired with a confident walk under a glowing blue light, gave the whole look a dreamlike feel.

It was a moment that captured Y2K pop energy with the spirit of a future-forward cowgirl.

 

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Only Beyoncé could open a tour with a flying convertible, a mechanical bull, and a robot serving her whiskey.

She put on a show as big as Texas. The performance came with all the bells and whistles, literally. We’re talking flying through the air while suspended on a giant horseshoe, singing “Tyrant” on a mechanical bull, and playing at a piano that was lit on fire, all set to an arena pulsing with excitement.

But the night’s most unforgettable moment came when her seven-year-old daughter, Rumi Carter, made her stage debut. Adding an extra layer of sweetness to an already unforgettable show, Rumi joined her mother for a segment of ‘Protector,’ a track from Renaissance that also features Rumi’s vocals.

As Beyoncé sang, “I will be your protector,” Rumi grabbed her mum’s hand and waved excitedly to the audience. Just as the crowd settled, Rumi turned and hugged her mother, prompting a beautiful smile from Beyoncé as she embraced her. Behind them, Blue Ivy, ever the poised performer, stood proudly, completing a special family moment that left fans in awe.

For those who have been following Beyoncé’s career closely, this is not her first rodeo with family on stage. Her eldest daughter, Blue Ivy, has appeared alongside her before, most notably during the Renaissance world tour and NFL Christmas Gameday Super Bowl last year December.

Another highlight was Blue Ivy’s custom Eleven Sixteen leather outfit by Nigeria’s Ugo Mozie, made with hand-carved Benin bronzes and cowries. The 11-year-old took centre stage in a solo debut, nailing the moves, all while bringing Nigerian fashion flair to the rodeo atmosphere.

The Cowboy Carter Tour is just getting started, with five shows in Los Angeles before Beyoncé takes the stage in cities across North America and Europe, culminating in a final performance in Las Vegas this July. If this opening night is anything to go by, we’re in for an unforgettable ride.

Watch the joyful Rumi on stage below and get a glimpse of Blue Ivy’s stunning outfit.

 

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